I’m a colorist based in Montréal, working on Baselight, at MELS.
I started as colorist in 2009 at age 21, working mainly in advertising. Working on a wide range of images has taught me to listen and work quickly. I was mentored by cinematographers and this has shaped the colorist I am today. I colored over 75 feature films, and having worked extensively on film-based features, I have developed a distinct sensitivity to the texture and color of analog film. A sensibility that continues to inform my digital work. Renowned for my nuanced approach to mood and color, I bring a refined, collaborative vision to each project.
I collaborated twice with Denis Villeneuve on the restorations of Maelstrom and Incendies, and have been a long-time creative partner of Xavier Dolan, since Mommy. In addition to Xavier's films, I have worked on high-profile music videos for Adele and campaigns for Chopard, Gucci, and Prada. I was twice nominated for the FilmLight Colour Awards, at the Camerimage Festival, for my work on Prada and the Netflix series The Night Logan Woke Up. A frequent contributor to major international festivals, I have graded seven films selected at Cannes — including Amour Apocalypse and Splitsville, starring Dakota Johnson, both featured in 2025. That same year, Deux femmes en or premiered at Sundance, while In Cold Light, starring Maika Monroe, debuted at the Tribeca Film Festival. My recent work also includes Kristofer Borgli’s Dream Scenario for A24 and The Beast directed by Bertrand Bonello staring Léa Seydoux and George MacKay. I’ve also restored several landmark works from Québec’s cinematic heritage, particularly from the 1960s and ’70s.
I’m available to work worldwide.